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THE SIGNS OF MAN

They are photos born in those days apparently (in a productive sense) without a useful purpose: days empty of the past, of duties, days open to curiosity. I am aware that many images are "spoiled" by a part of the mind that is the victim of all the conditioning received. But the game is precisely this: letting oneself be attracted by the marks left by man's work and neglect, isolating them from the real context. This decontextualization operation (Ducamp teaches) gives the signs themselves a different communicative language: triggering imaginative associations that are not a logical consequence of the context. It is a perceptive journey during which I like to be amazed by the things my imagination sees. Sometimes with a prevalence of aesthetic content, other times psychological or social.

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Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

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Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

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Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man

Ruggero Lorenzi the signs of man